#and the one who knows that there's people in that group who haven't been the most respectful of the relationship

[whxre-bxby]

Player 001 (Young-il) x Reader

"Poor Little Y/N..."

My attraction to older men fuels the creativity within me to write

Oneshot - angst, death, blood, silent attraction, romantic feelings Masterlist

When Gi-hun decides to rebel against the guards and marches out of the player's room with his small army, you join them. Innocent, caring little Y/N, who's never held a gun in her life nor seen one before she ended up in these games, bravely sucks up her fear of dying and breaks the rules by exiting with the armed players. Among those are Young-il and other people you trust now.

You go because your fear of losing them and watching not a single one of them return is far worse than your instinctive fear of death.

Lovely, selfless Y/N who holds in her tears and forces her trembling hands to calm down while aiming her weapon at guards and pulling the trigger.

After leaving the stairs on which your group has been ambushed, you make it to a corridor when Gi-hun and Jung-bae leave you behind to advance further into this hellhole of a place.

You don't like splitting up but you can't stop them, so you stay with the group, continuing to help them through the gunfight. But then Young-il shouts that he is going after them and needs two people. Young-il, who's been a trusted member since you all met him after the first game. The man who pulled you into a room with him when the voice announced the number 2 during Round-And-Round, saving you without hesitation.

The man who insisted you take his pillow to hug at night because you couldn't fall asleep without the comfort of clutching something against you. Even though you kindly rejected his offer, he didn't take no for an answer and didn't leave the side of your bed until he was sure you accepted his gift and were as comfortable as you could be in this place.

So of course, you volunteer to go with him, as do two other men. He glances at them before his gaze rests on you a little too long, and you can see the gears of thought turning in his head. His expression isn't so stern and tense anymore and you watch his eyes soften as his head slowly leans back against the wall.

"No...not you, Y/N..." he says, his voice no longer loud, before waving the two men over to him and leaving with them. His words stung you deeply. You didn't understand why he said that to you. Oh, only if you knew he was going to betray the two good players he brought with him...

Brave and dedicated Y/N, who feels it's been to long since she's heard from either Gi-hun's team or Young-il's, so she runs after them, towards the control room. The sound of distant gunshots has your kind little heart racing with adrenaline. The urge to help and protect being stronger than your will to live.

What life would it be if you knew you could have helped, but didn't? What if they all died while you would cowardly wait and hide. You would be tortured by those thoughts forever.

Fast but scared Y/N, who sprints through the cold-coloured hallways and up levels of stairs, past dead guards and over puddles of blood because as long as you haven't found your friends' dead bodies, you have a reason to live and fight on.

Close gunshots no longer scare you. It could be your team firing them. But then you reach the first proper obstacle. The two players who went with Young-il were dead and their bodies pierced by bullets. The sight startles you, but you've seen this before. As long as it's not one of the other three, you can live with it. You have to. So you continue up the stairs, desperately wanting to find someone you know for your comfort and safety.

Shocked yet relieved Y/N who finds Young-il on the other side of the stairs, gun in hand but body slumped on the ground and tracksuit splattered with blood.

Such a good heart you have... immediately running to his side and checking up on him. He seems to be fine, though you can't be sure until you know where he's been hurt.

Silly you, that blood isn't his.

You don't even pay attention to the confused and unexpected look in his eyes. Oh, he did not expect anyone to find him now. He wasn't sure what to say or how to act anymore. Young-il thought his time of pretending to be Player 001 had come to an end. But he had to keep up the act in front of you right? Right?

He couldn't. It all happened so fast, he could just sit back and watch you hug him before you search for a wound to explain the bloodstains. Your face painted in great worry and distress. Your commitment to improving his wellbeing astounded him.

But the dream-like moment didn't last long and was canonically interrupted when footsteps were heard rushing down the other flight of stairs, towards the two of you.

Young-il had no reason to fear them. But you, who at this point were frightened by the very sight of them, made the alarm in your head start ringing. You abruptly turned around, facing them instead of the face you found great comfort in.

Young-il, who suddenly felt his heart drop deep into his gut when he realised the danger you could be in now.

Brave but teary-eyed Y/N, who sits on her heels in front of her friend, attempting to shield him while shouting at them to stop.

Young-il, who panics, wanting to move you behind him while attempting to wave the guards away, or at least not to open fire. But then it happens. The sound of a gunshot echoes through the cold walls and before either of you can process anything, the impact the bullet caused, had your body falling back. You land next to him, head supported against the wall and lock eyes with Young-il. A look of wide-eyed shock takes over his expression and he can only watch the consequences of his actions unfold before him.

Your trembling arms reach out for him, but not for help. You're still trying to save him, but your attempts are weak. Another harsh bang rings in both your ears and that does it. As the second bullet buries itself deep in your flesh, having pierced through vital organs, the light in your eyes vanishes and your body goes limp next to him.

Young-il can't move. You, the only person who's shown this kind of care for him in years, are now dead because of him and his actions. He made you trust him and now he had to watch you pay the price for his mistake. He should have never shown you any attention.

Poor little Y/N... your pretty body has failed you. But it was your heart that killed you.

Yes, I know. Tragic. Sorry. I'm sure you'll survive in other fics.

It's past midnight but fuck it I'm posting it.

[14dayswithyou]

I literally have the most amazing and wonderful community in the entire world???? T_T In this essay, I will—

This is going to be raw and unedited because I want to get my initial thoughts out there before I forget n go back to crying /pos, but?? Yawl.... I can't even begin to find the words to express how appreciative and grateful I am for each and every one of you!! ;v;

I've spent the past few hours reading through everyone's personally written messages, then rereading them all again to let it all fully sink in. I'm being genuine when I say that I've never felt this loved or appreciated in any community before in my life.

Those in the Discord server might know about this already, but since the start of this year, I haven't really been enjoying myself (nor have I been as active) in the yandere VN community. There was far too much infighting between devs, parasocial communities, and toxic anons that ruined so much for me — so I withdrew from it all and remained in my own small bubble. Even then, I still got belittled, harassed, doxxed, and even became the target of Tall Poppy Syndrome by others; most of which nearly made me want to leave altogether, but the overflowing amount of support from everyone in the 14DWY community made me want to stay.

And even now, after reading all those heartfelt messages... I think it's permanently solidified the little space I occupy here on the internet :3

So... Yeah, long story short (and a story that will likely end up as its own separate Tumblr post gjskskjd), I wasn't enjoying myself at all in the yandere VN community... but I did have the time of my life in the 14DWY community. And it's all thanks to you guys.

I'm genuinely sooooo proud to have such an endlessly kind, social, and talented community; and I'm glad to have brought such an interactive and friendly group of people together over our shared interest in such a nice concept. 14DWY is essentially a labour of my love — and although I'm ultimately creating it for me and my silly interests — it's still something that I want to make worthy of you guys as well. All the love and support you've shown me and 14DWY motivates me to do my very best, and y'all deserve nothing less. So...

Thank you all for finding a comfort character in my Totally Normal Guy and his Totally Not Eccentric quirks. Thank you for all the insanely talented creations y'all make and share with me. Thank you for sending in your silly (/pos) questions and turning them into inside jokes and AUs for the rest of the community to enjoy. Thank you for talking with me and making this space a genuinely fun place for me to be in again.

From the bottom of my heart; thank you all so much. I really hope everyone has had an amazing year so far, and I hope 2025 will be as kind to you as you all were towards me.

I also want to give a big fat massive huuuuuuuge shout-out to Ashe / @flaneur001 my love (/p) for organising the 14DWY letter event on Discord, and for contributing so much of their time and dedication to the 14DWY community. You say you've only been part of the community for a year, but to me, that was a year well cherished and appreciated. The 14DWY community (and me especially) have all been so lucky to spend this past year with you, and I sincerely hope you've enjoyed it as much as we have. You've done so much for me, the community, and the 14DWY Discord server, so it's only fair that you get the recognition you deserve. So thank you, Ashe!! And a big thank you to everyone in the 14DWY Discord who participated in this event as well!

Now, if you'll excuse me, I have some cryin and sobbin to do <3 /silly /pos

[meglosthegreat]

So... everyone pretty much hated Veilguard's "secret ending", right? Beyond speculation about the Executors themselves, I haven't exactly seen anyone excited about its presence, and for that matter, haven't seen many people talking about it at all.

The closest way I can describe my initial reaction to it was an immediate, visceral disgust. I think I remember uttering at my screen something along the lines of "Fuck off! What the fuck?! Are you fucking kidding me???" and ever since then I've wanted to put into words exactly why it made me feel that way.

For the 88% of you (according to Steam achievement statistics) who didn't see this ending due to not picking up three very specific codex entries by complete chance, you can watch it here. In short, the clip depicts a mysterious voice who sounds suspiciously like Matt Mercer talking about how a group of shadowy figures has "balanced, guided, and whispered" over scenes of villains from the previous DA games, implying that these shadowy figures have been at least partially responsible for all of the bad things happening in Thedas, towards some unknown nefarious purpose.

Now obviously, this sucks. This is hamfisted, unimaginative writing that simultaneously retcons and re-contextualizes elements from DA's past that absolutely no one thought needed further explanation, as well as being exactly the kind of irritating sequel-bait tactics that people have largely grown tired of these days. But why does it suck so much? Why did I feel such palpable distaste for this scene?

For starters, it simply reeks of entitlement, and a lack of respect towards Bioware's own past games. Remember those villains you loved and thought were compelling? Well, their own personal, very complex and thought-out motivations were really just the Executors whispering in their ears the whole time! Loghain making a difficult and calculated decision at great personal cost for a greater good he truly believed in? Executors. Bartrand succumbing to his own greed to the point that he betrays his only family and devolves into a tragic husk of himself? Executors. Corypheus and the Magisters breaching the Golden fucking City??? Executors.

Ignore the infuriating lore ramifications for a second and consider: what do all of these things have in common? They're all instances of complex character motivation; of people in this world doing things for their own reasons that ended up having massive ramifications. In short, they're not events that can be explained easily in terms of black and white morality. And from what we've seen in Veilguard, the current dev team has a serious inability to work with any story elements that do not have absolute moral clarity: the Venatori and the Antaam are Evil. The Shadow Dragons and the Crows are Good. Any nuance; any potential questioning of this duality is quickly explained away or snuffed out.

And that's exactly what they're trying to do, retroactively, with the rest of the series. Having a hard time deciding whether Loghain was right or wrong? Well, worry not, the Executors are Evil and if they were guiding him the whole time, then what he did must have been Evil too! Grappling with how the plot of DA2 was about the inevitable tragedy of a series of oppressive systems reaching their natural breaking point? Well, wrestle no further, for if the Executors were involved then Meredith and Bartrand must've been Evil, no question! What the Magisters did was definitely Not Great, and what do you know, there were consequences for it that they and the whole world very much did pay for. But if the Executors were behind it all, then it was someone else's fault, some Evil power reaching in and making them do what they did, rather than their actions being the result of a horrific series of power abuses done by actual people.

Which leads me to where my initial disgust comes in. Because in a world which has always had core themes of power and its many abuses, actions that have consequences, and the idea that there are no true higher beings; every horrible thing that has ever been done was done by people, the simple act of putting shadowy figures behind key moments in history completely debases and neuters all of those themes. The whole point of Dragon Age as a series up until this point has been to illustrate the complex relationships people and societies have with power, choice, and morality. To remove that link - to place an external force between those characters and their choices - is to rob the series of any meaning whatsoever.

There is a staggering difference between the messaging of a game that tells you ordinary people are to blame for society's wrongs and a game that tells you a secret shadowy faction of evil forces are to blame for them. The former invites thought about one's own society; it has the potential to be uncomfortable and difficult to reconcile with. The latter assures its audience of the fantasy it is couched in. It gives the audience a boogeyman to be angry at, and in so doing deflects any potential for introspection. And that, I think, is the real point of the scene in question.

In a time where our media has become inundated with bland, unchallenging liberal politics, the idea of "cozy" stories have become a growing trend. These types of stories often sport a broad rejection of complicated themes, painful emotions, and nuance, preferring instead to provide a "safe" place to escape to. And with that "safe" space comes a directive not to engage in critical thinking about a work, and not to draw any message from that work and apply it to the real world. Yet this is exactly where Bioware seems to be heading nowadays.

Veilguard has already been faced with heavy criticism about playing things overly safe; removing anything that might be potentially uncomfortable for the player. And the end credits scene is no different. Don't think about things too hard, it whispers to you seductively, in Matt Mercer's soothingly Evil voice. See? The Bad Guys were behind everything, all along.

[utilitycaster]

I think the idea of Bells Hells making the moral decision - or even making the best decision in the face of no good options - falls apart when you realize that there's absolutely no coherent "why" behind it and not much more of a "what".

Why go in to release Predathos? Well, someone worse might do it. Ok, but why would it be worse if someone worse did it? If Predathos can't be controlled, or if the act that Ludinus wished Predathos to do, of eating the gods, is good, then why does it matter who releases it. And the party went in without knowledge of whether to control it, so that was just a wild-ass guess. It might even be a correct one; but you cannot ascribe morality towards "stumbling through a door and hitting on the right answer by accident."

That doesn't even go into the fact that I think Bells Hells have done, if I may, a wretched job of trying to understand what the people want. What does the person on the street in Jrusar want? Bassuras? Whitestone? I think we have an idea, honestly, of what Zephrah wants. What does the Feywild want? Sure, the Accord is the people in power speaking for their respective cities, countries, and tribes, and I'm even open to the possibility that they don't actually have those groups' interests in mind though to make a blanket statement that that's the case is, as most blanket statements are, suspect. Did Bells Hells talk to anyone though? What do the other people in the Silken Squall think? What about the Clovis Concord, or Uthodurn, or the Dynasty? Oh, Bells Hells aren't from there and haven't spoken to anyone? That's so interesting that they're making a choice on their behalf, or rather, it would be, if they were ever making a choice. And, as stated, I don't even think most of them know what people where they are from want. I really don't think most of them know what they want.

Why did they stop Liliana from broadcasting? What did this achieve? If Liliana is a better person than Ludinus wouldn't it have been better for her to be the vessel? All this did was almost kill her and give Ludinus a reason to take her power himself.

Usually when a decision is incredibly difficult, there is, at least, an understanding of a desired outcome - for example, the issue of how to address climate change is incredibly complex and there are no options that don't require extensive and difficult change and sacrifice. But we know why this is important and what we want the result to be. What world do Bells Hells want to make? Literally, what do they want? If the issue was always that Predathos was a dangerous entity regardless of who wielded it that needed to be destroyed then anything to do with the gods is irrelevant, and if the issue was "the gods have the world under their thumb" then again, why even put Liliana at further risk and why kill Ludinus? The fact that we can't tell which it is and the fact that they can't tell is pretty, well, telling. And if your point is "I don't know if it's better to kill Predathos permanently or to have it eat the gods" then that brings it back to the impossibility of saying whether Bells Hells are "good" for their lack of choice. Understandable in their hesitation, at best; less forgivable when they decided to debate amongst themselves endlessly and ask precious few of the people they claim to speak for.

[ginnsbaker]

All Of Your Pieces (10 - Welcome Home)

Chapter Summary: “No,” you shake your head firmly. Wanda wouldn't do that to you, wouldn't impose her will on you, let alone on thousands of people. “I'm sorry,” Darcy murmurs, her voice low. “I know it’s a lot to take in. I wish I was lying, but I swear I’m not.”

“Prove it,” you demand, in a last, desperate attempt to cling to the life you've built here with Wanda, to preserve the trust you've placed in the person who means the world to you.

Pairing: Wanda Maximoff x Female Reader Chapter word count: 6.1k+ | Chapter Tags/Warnings: None

A/N: We've reached the end of Part 1! If you've noticed the updated series masterlist, I removed the dates of when the Part 2 chapters will be published. I've decided to take my time as I've started Law school. Rest assured this series will be completed, as I have a feeling this will be my last for this pairing/fandom // More author's notes here.

Series Masterlist | Main Masterlist

It's getting late. Families are beginning to pack up, hauling sugar-fueled, weary kids back home, as the Halloween crowd dwindles to a few costumed stragglers. One by one, the booths start shutting down, their owners announcing fifty percent off final sales in a last-ditch effort to clear their stocks. You haven't returned from your patrol, and Billy and Tommy are nowhere to be seen. 

You should've been back by now. The boys, too. 

Wanda’s anxiety is creeping up again. She scans the square, searching faces, but none of them are yours. None of them are Billy or Tommy's. 

“Have you seen my kids, Billy and Tommy?” she asks a passing neighbor.

“Can't say I have,” he shrugs, moving along.

An uneasy feeling crawls up Wanda's spine. Where’s her family?

Then she spots Agnes, effortlessly holding court with a group of volunteers by the cotton candy stand. She hesitates, knowing full well that getting Agnes' attention usually means signing up for more than she bargained for. But if anyone has a handle on everything happening tonight, it’s her snooping, ever-present neighbor.

“Agnes!” Wanda calls out, weaving through the remnants of the crowd.

Agnes turns, eyes gleaming, her mouth already stretched wide into a blinding smile. “Wanda! What can I do for you?”

“Have you seen the boys? Or Y/N?” Wanda tries to keep the edge out of her voice.

“Oh, the boys are at my place! They heard I got a new gaming console for Ralph and just couldn't resist. Begged me to let them try it out.”

Nothing about what Agnes said makes sense. “They went to your house? Without asking me?”

“Oh, you know how boys are with their toys,” Agnes rolls her eyes. “They were so excited, I didn't have the heart to say no.”

Wanda frowns. She knows her children well—they're adventurous but always inform her or you before taking off. “They should've asked for my permission,” Wanda says.

Agnes waves a dismissive hand. “Oh, don't be such a stick in the mud. They're safe and sound, having the time of their lives.”

“That's not the point,” Wanda snaps.

Agnes laughs, head thrown back, and it makes Wanda's skin prickle. “Come on, dear. It's Halloween. Let them have a little fun.”

Wanda takes a deep breath. “It's getting late. I'd like to bring them home now.”

“Of course, of course,” Agnes says softly, her hand resting briefly on Wanda's arm. “I’ll drive you over.”

Wanda climbs into Agatha’s car, her eyes still darting around, the unease in her chest growing tighter despite having an answer about where her kids are.

“Have you heard from Y/N?” Wanda can’t help but ask again, as if hoping for a different answer this time.

Agnes glances at her sideways. “Probably still on patrol. Dedicated, that one.”

Wanda nods, but it doesn’t ease the tightness in her chest. The streets feel longer than usual, stretching out like a labyrinth. Wherever you are, she hopes you’re doing okay, and that you’re nowhere near the boundary.

They arrive at Agnes' house shortly after. Wanda’s expecting the noise of video games coming from the living room, but the house is quiet and poorly-lit. 

“After you,” Agnes says, opening the door.

Wanda steps inside, a cold breeze hitting her on the face almost immediately. 

“Boys? Billy? Tommy?”

But there’s not a sign of them. In fact, there���s no sign of anyone in the house. The gaming console sits untouched near the television, controllers neatly arranged. The silence is too loud. 

Wanda spins around to face her. “Where are they?”

Agnes closes the door behind them. “Oh, they might've wandered downstairs.”

“Which way?”

“Just through the kitchen and down the stairs,” Agnes points. 

Wanda moves toward the basement door, her footsteps muted by an old rug. She opens it and descends the creaking wooden steps. 

“Boys?” Wanda calls out.

The further she goes, the cooler the air becomes. Reaching the bottom, she finds herself in a space that doesn't match the rest of Agnes’ home. 

The basement is expansive and ancient-looking, with stone walls draped in vines whose origins Wanda can't discern. There are candles spread around, making a circular enclosure of the empty spot in the middle. The room is filled with strange artifacts—old books, glass jars containing unidentifiable substances, and objects that seem out of place in a suburban home. 

But none of that catches Wanda’s attention more than the fact that her kids are nowhere to be seen.

She turns back toward the stairs but Agnes is there, blocking her path.

“Looking for something?” Agnes asks innocently.

Wanda takes several steps back, her fists balling at her sides. “Who are you?” 

Agnes looks pleased by that question. “The name’s Agatha Harkness. Lovely to finally meet you, dear.”

—

As soon as Darcy mentioned mind control and fabricated reality, you had to get out of the car. Darcy follows suit, and you wait for the punchline, but it never comes. It sounds crazy, but then, this town has always made you feel crazy. Maybe it's not so far-fetched after all.

But what’s inconceivable is Wanda being behind all this madness.

“Wanda? My wife Wanda?” you ask weakly, knowing there’s no one—perhaps no one within a thousand miles—who shares her name.

“Yes, but not exactly,” Darcy says. “She's manipulating everything—people, places, even time. Including you.”

Including you? You don’t feel like you’re being manipulated—not exactly. But whatever this is, it’s starting to wear thin, grating at your patience.

“Is this some kind of prank? Did Agnes put you up to this?”

“I wish it were a joke,” she bemoans, sounding like she means it. “Think about it. Do you remember anything before Westview? How you got here? Your life before this?”

“Of course I do,” you insist, but as you try to recall specifics, your memories blur—faces without names, events without context.

“What's your last clear memory before moving here?”

You try to answer, but your mind keeps drawing a blank.

“Exactly,” Darcy says gently.

You shake your head. “No, this is ridiculous.”

“I know it's hard to accept, but you have to believe me. Wanda is controlling everything, and you're a part of it.”

“Why are you telling me this?”

“Because you might be the only one who can stop her. The only one she'll listen to.”

“Why me?” you ask, heart pounding. “Do you even know me?”

Darcy shifts her weight under the streetlamp. “I’ve… read about you. You're Y/N, an Avenger, just like Wanda was before... before all this.”

“An Avenger?” You frown, the word sounding not entirely foreign to your tongue. “What's that supposed to mean?”

Darcy raises a brow. “You seriously don’t remember the Avengers? Earth’s mightiest heroes? You were part of a team that saved the world—multiple times.” She says it like it should trigger something, like the name alone should spark recognition. But it doesn’t. And already, you don’t like the sound of it.

You shake your head, lips pulling into a faint grimace. “Sounds like a PR stunt. If these so-called heroes are real, they shouldn't be worshipped like celebrities.”

Darcy chuckles softly. “You know what, you have a point there. But considering one of them is literally a god, it kinda leaves me, I mean us—with, you know—no choice.”

“One of them is a god?” 

“Yeah, Thor. Tall guy, wields a hammer, controls thunder. Ridiculously hot. Ring any bells?”

She might as well be describing a cartoon character. You run a hand through your hair before grabbing a fistful of it in frustration. “This is crazy.”

“It is,” Darcy agrees. “But that’s our world now, apparently.”

You take a deep breath. “If what you're saying is true—”

“I swear it is,” she insists.

“Then how did I end up here? Why would Wanda do this?”

Darcy sighs. “It’s a long story.”

You glance at your watch. It’s 11:05 in the evening. Wanda will be looking for you anytime soon.

“You have five minutes.”

—

“Where are my children?” Wanda demands, her eyes flashing dangerously.

“Where are my children?” Agatha imitates her like a parrot. “My, that accent does like to play hide and seek, doesn't it?”

“Where are they?” Wanda yells, throwing her hands up in front of her, ready for the offense. She summons her powers on Agatha, but nothing happens. The shimmering crimson she relies on fails to appear. Agatha relishes in it, letting out a boisterous giggle.

“Oh, your magic’s no good here,” Agatha reveals. 

Before Wanda can react, Agatha lifts her hands, and from her fingertips erupts a swirling purple energy that crackles through the air. In an instant, the magic lashes out, snapping around Wanda's wrists and ankles. With a sharp pull, Agatha yanks her forward, the force dragging Wanda off her feet and toward the center of the room. The bindings constrict, holding her limbs in place painfully, causing Wanda to squirm.

“Didn't you notice?” Agatha smirks haughtily. “On the walls? Basic protection spell. No? Nothing? These are runes, Wanda.”

Wanda glances around, her gaze falling upon the glowing inscriptions etched into the stone but they mean nothing to her. She struggles against the magical restraints, but the more she fights, the tighter they grip.

Agatha circles her, looking very much proud of herself. “In a given space, only the witch that cast the runes can use her magic. How do you not know the fundamentals?”

Runes? Fundamentals? Wanda narrows her eyes at Agatha. “Who are you?”

Agatha smirks, tossing the question back like a live grenade. “Who are you?” she challenges, staring down the bewildered, clueless witch before her.

Confusion flashes across Wanda's face. “What are you talking about?”

Agatha starts circling her, slow, like a vulture. “You've been pulling off magic tricks that take lifetimes to master—casting illusions, transmutation, hijacking minds. All on autopilot. Without any damn training. You will tell me how you did this.”

“I didn't do anything,” Wanda protests. “I'm not—”

That seems to shatter Agatha’s last ounce of patience. She flings Wanda back and forth like a ragdoll, each toss violent and jarring, until Wanda is back where she started, gasping for breath.

“I tried to be gentle, to nudge you awake from this pathetic daydream. But you'd rather fall apart than face your truth.”

Wanda clams up, unable to refute the other woman’s words. All of a sudden, Agatha yanks a hair from Wanda's head.

Clutching the strand, Agatha murmurs, “Revelare vitae memorias.” A purple aura envelops the hair as she weaves her spell.

Wanda tugs against the magical restraints binding her. “What are you doing?”

Agatha shrugs off the question, focused on completing her spell. She conjures a door on a previously bare wall, the surface pulsing with her energy. She flicks a strand of Wanda’s hair towards it, watching as the door swallows it and burns even brighter.

“Time for some real reruns.”

—

Darcy's theory seems just as absurd with the revelation that Wanda has been controlling the entire town this whole time.

“Faking my death and not being there for Wanda when she comes back just doesn't add up,” you say, kicking a stone as you pace in circles. Darcy sits on the pavement, watching as you wear a path in the ground.

“Why not?”

You stop pacing and look Darcy squarely in the eye. “Because I love her. She doesn't need to ‘kidnap’ me to stay with her.”

Darcy throws her hands up in exasperation, looking as lost as you feel. “Look, I don't know why Wanda brought you here! I don't know why you couldn't just be together in the real world or why she did this to Westview,” she walks closer to you. “I'm just as in the dark as you are.”

Her uncertainty only adds to your doubt. “Who are you anyway, Darcy Lewis? How did you even end up here?”

Darcy sighs, realizing she hadn't properly introduced herself or explained the situation right. “Okay, yeah, sorry. I'm…an astrophysicist. S.W.O.R.D—it’s a US government agency—contacted me more than a week ago about an anomaly in New Jersey. I was outside the Hex—this red barrier enclosing all of Westview—trying to figure out what's going on here. And then I got sucked in.”

“Sucked in? How does that happen?”

Darcy hangs back, weighing what's appropriate to share and what isn't. The image of you dying mere seconds after you emerged from the barrier seems to straddle both categories, but given the incredulous way you're looking at her—as if she's sprouted ten heads—signals your dwindling trust. If she doesn’t talk soon, she might just lose this rare opportunity to get you to their side.

She signals you to take a sit on the ground first, but you merely stare at her, waiting.  “Well, it's complicated,” Darcy starts. “But before I ended up here, I saw something you need to know.”

“Go on,” you say cautiously.

She takes a deep breath. “You were dying.”

Your eyes widen. “What?”

“Last night, you tried to cross the boundary of the Hex,” she explains. “But as soon as you did, you started disintegrating—turning into dust.”

You stop cold. That dream where Wanda was vanishing—

Was it you all along?

Darcy continues, “We didn't know what to do, how to help you. But then the Hex started expanding—fast. I couldn't escape, and now here I am.”

You barely register her words as you try to piece together your memory of last night. Is that why you felt déjà vu on the way here? Because you've been here before? Because you've actually been outside?

Could Wanda be the reason you can't recall what Darcy claims happened last night? Has your wife really been manipulating you? Using her powers to deceive you?

“No,” you shake your head firmly. Wanda wouldn't do that to you, wouldn't impose her will on you, let alone on thousands of people.

“I'm sorry,” Darcy murmurs, her voice low. “I know it’s a lot to take in. I wish I was lying, but I swear I’m not.”

“Prove it,” you demand, in a last, desperate attempt to cling to the life you've built here with Wanda, to preserve the trust you've placed in the person who means the world to you.

“Fine,” Darcy exhales sharply, pausing to think for a moment. “I got it!”

You cross your arms, waiting expectantly.

“Do you remember your assistant, Geraldine?” she asks.

The fact that Darcy knows about her already turns your stomach. It means she wasn't lying about the broadcasts outside, where people have been monitoring the situation all this time.

You nod, unable to speak. The fear grips you so tightly you worry you might lose the dinner you had just an hour ago.

“Geraldine isn't who you think she is. Her real name is Monica Rambeau. She's an agent from S.W.O.R.D., sent here to investigate what's happening inside Westview.”

“That doesn't make sense. I've known Geraldine for months—”

“Have you?” Darcy counters gently. “Think about it. Can you recall anything about her life outside of work? Her family? Where she lives?”

You open your mouth to respond but realize you can't summon any details. It's as if those memories are just... missing. 

Just like every other little detail in your life.

“I… I can’t—”

Darcy nods sympathetically. “That's because you’re all just playing a role here. Monica tried to reach out to her, to help her see what's real, but Wanda forced her out of this reality.”

Geraldine's resignation is a vague memory, nothing more. If Wanda has been pulling the strings, she's been selective with the memories she's allowed you to keep. That much is certain.

And you’re conflicted. No, that’s not quite right—you’re overwhelmed. You feel betrayed, most prominently. But beneath that, there’s guilt. Deep down, you’re troubled by the thought of how much pain Wanda must have endured to go to such lengths. It pains you too, knowing she suffered so greatly. If this isn't going away anytime soon, that means she's still hurting. And if you're going to agree to help Darcy figure this out, you’re going to do it for Wanda’s sake, not theirs.

Making this decision would be simple if not for—

You look down, your voice barely above a whisper. “And our kids? Billy and Tommy?”

Darcy looks away. “We couldn't find any records of them,” she says. “They're not documented anywhere in Westview.”

A sinking feeling grips your chest. “They're our sons—they're real.”

Darcy doesn’t say anything. Your eyes begin to sting as you walk into the middle of the deserted road.

You're not sure how long you stood there, contemplating the plight of these innocent people and the dangers looming over your family beyond this town. You gaze at the wedding ring on your finger. Being Wanda’s wife brought you nothing but joy. Being a mother to your two boys made you feel whole. Can you really let all that go?

Just as Darcy is about to check on you, having waited a while, you catch her off guard by walking back.

“What do you need me to do?”

—

Wanda's eyes dart around. “No... not here,” she whispers, recognizing her childhood home.

She thought those memories were lost—how a seemingly ordinary evening spiraled, altering her life forever. Seeing her mama and papa’s faces is a miracle in itself. Wanda had forgotten their features, unable to carry even a photograph of them for so long.

And Pietro—god, how she's missed him. He was the last sliver of Sokovia, the last piece of home she clung to before becoming an orphan in every sense of the word.

Life was simple then. It wasn’t always comfortable or peaceful, but they were happy as long as the four of them were together. 

Wanda watches on, a helpless spectator as the mundane scene before her—an evening of sitcoms on the living room floor—is shattered by an explosion before the screen cuts to black.

She squeezes her eyes shut. When she dares to look again, devastation greets her. Her younger self and Pietro huddled under rubble, a Stark Industries missile mere feet away, its ominous beeping the only sound in the deafening silence.

Agatha muses, “You stared at that bomb, waiting for it to go off. Did you use a probability hex?”

“No, I…” Wanda blinks, her mind reeling . “It just never went off. It was defective. We didn’t know that. We were… we were trapped.”

“For how long?”

“Two days.”

Agatha hums, sizing up whether this incident had any real impact on Wanda’s recent exploits.  Despite the trauma Wanda has endured, Agatha remains skeptical, and she steers them down another bend in memory lane.

From afar, another room takes shape—the Hydra facility, where she first encountered the Infinity Stone. 

“I don’t want to go back in there.”

“The only way forward is back,” comes the terse reply.

—

Jimmy and Monica sit side by side on a surprisingly comfortable pile of hay inside one of the supply rooms of the camp, their wrists shackled behind them with cuffs this time.

“Well, at least Hayward splurged on the good hay,” Jimmy attempts at a joke, trying to twist his wrists free.

“Yeah, cause the next time I see him, I’ll be shoving them up his—” Monica bites her lip. Now’s not the time to think about all the ways she’ll make Hayward pay. Right now, their priority is getting out of these cuffs.

Reaching into his sleeve, Jimmy fumbles for a hidden pin. “Got a lockpick here. Just give me a sec—almost…”

She watches as he struggles to maneuver the pin into the cuff's lock, his fingers slipping. After several failed attempts, he lets out a frustrated huff.

“Here, let me try,” Monica says, scooting closer.

“Be my guest,” Jimmy says, sliding over the pin.

Monica grabs it, fingers deft and sure. A soft click follows. In a flash, she's free, reaching over to unlock Jimmy's cuffs.

“Impressive,” he remarks, rubbing his wrists.

“Years of field training.”

Jimmy fishes out his cellphone. “Guess they missed this in the pat-down.” He punches in a number. “Calling for backup from Quantico.”

He steps aside, murmuring into the phone, while Monica edges towards the door. She presses an ear against the rough wood, listening hard.

“Any luck?” she murmurs as he ends the call.

“They're sending a team, but we're on borrowed time,” he whispers back.

“Listen,” Monica says suddenly, holding up a hand.

Silence falls. There’s a muffled sound of chaos outside—high-pitched voices, scrambling footsteps, panicked commands. 

“Is that... fighting?” Jimmy's eyes go wide.

“Sounds like it,” Monica says. “But who would be engaging Hayward's agents out here?”

“Maybe another S.W.O.R.D. team?”

She shakes her head. “Unlikely. They trust Hayward too much to send more scouts.”

The clamor grows—a cocktail of grunts, barked orders, and the dull thud of bodies smacking the ground. And then guns firing off nearby.

“This is bad,” Jimmy mutters. “We're sitting ducks. Unarmed ducks.”

Monica's gaze sweeps the area. “We need to find something to defend ourselves.” She snags a rusted metal rod from beside a stack of crates and hands it to Jimmy. “Here.”

He grabs it, his grip firm. “Better than nothing.”

She hoists a solid-looking plank. “Stay alert.”

Suddenly, the outside noises cut off, dropping the world into unnerving stillness.

“Why did it just go quiet?” Jimmy whispers.

Monica takes an offensive stance. “I don't know, but I have a feeling we're about to find out.”

Footsteps draw near—steady, unhurried. The door handle rattles slightly.

“Get ready,” she says, positioning herself beside the door.

Jimmy nods, holding his makeshift weapon at the ready.

The door creaks open slowly, and a sliver of light spills inside. They hold their breath as the door swings wider.

A shadowy figure looms at the threshold, silhouetted against the harsh daylight. Without waiting to see if this was a friend or an enemy, Monica lunges forward, swinging her plank toward the intruder. Jimmy follows suit, thrusting his metal rod in a coordinated attack.

But the figure dodges their attack like they're made of smoke. With a fluid sidestep, you evade Monica's swing, the plank slicing harmlessly through the air. Simultaneously, you pivot gracefully, ducking under Jimmy's thrust. In one seamless motion, you sweep your leg, knocking the rod from his grasp and sending it clattering across the floor. 

Before they can regroup, you're behind Monica, coaxing her wrist until the plank clunks to the ground with a dull thud. Both agents stumble back, dumbstruck.

Monica’s about to charge again when you raise your hands. 

“Easy,” you say hurriedly. “I’m not here to fight.”

Jimmy looks at you with utter shock and awe. “How did you—”

You smile thinly. “No time for explanations.”

Monica squints, peering harder. Something clicks. “Wait... Are you Y/N?” she murmurs in disbelief.

Recognition dawns on Jimmy’s face too. “It is you!”

You nod slowly. “I am.”

Monica keeps searching your face, like she's double-checking if it's really you. There are small differences between this you and the one in the Hex—your hair's shorter, framing a face that's sharper with…age. The lines around your eyes are deeper, and there's a hardness in them now that wasn’t there before.

“Wait, how did you escape the Hex unharmed?” Jimmy asks. “The last time you tried, it looked like you weren’t going to make it…”

You shake your head. “I didn't escape from Westview.”

“What do you mean?” Monica asks. “You're inside the Hex with Wanda, aren't you?"

“No,” you reply evenly. “That wasn’t—isn’t me.”

Just then, footsteps approach from behind. You spin around to see Clint, his bow slung casually over his shoulder.

“Well, that was quick,” you note.

He smirks lightly. “It would've been quicker if I weren’t so rusty.”

“Clint, is it true what she's saying?” Monica asks.

Clint nods solemnly. “Yeah. I made a rookie mistake by not considering the possibility that the Y/N in Westview and out here in the real world aren’t one and the same.”

Jimmy looks baffled. “Wait, what do you mean?”

“When I saw Y/N on that broadcast, I assumed she was inside the Hex. But when we saw the one from Westview disintegrating after she emerged from the barrier, that’s when I realized that something else was going on here.”

Jimmy's face screws up in confusion. “Then who was that?”

You lean back against the wall, a wistful look in your eye. “Based on what Clint told me, she's both me and not me.”

Jimmy throws up his hands. “I'm getting confused.”

“That's Wanda's version of me—the person she left behind five years ago,” you say.

Monica's eyes stretch wide as the penny drops. Is Wanda that powerful to be capable of what you’re implying?

“When you say she's Wanda's version...” She trails off, not confident to finish the thought.

“Wanda created her,” you say, as casual as if you were commenting on the weather. “Wanda doesn't know I'm still alive.”

—

“Exposure to an Infinity Stone,” Agatha muses, eyeing the memory of Wanda clad in a grimy gown that the Hydra facility dressed her into. She grimaces slightly. “That explains some of it, but not all.”

With a subtle gesture of her hand, another door materializes—a portal to another place, another time. Another memory—but this time, not a painful one. Wanda doesn't hesitate this time and walks towards it. There’s no choice in the matter, really. Might as well get it over with.

Behind the door is a well-lit kitchen. The countertops were sleek and clean, aside from an open jar of peanut butter and a half-empty jar of jelly sitting next to a loaf of bread. A butter knife rested on a plate smeared with both spreads, and a glass of water sat nearby, condensation pooling in a faint ring on the stone surface.

You were standing at the large kitchen island, carefully cutting the corners of your sandwich when Vision phased directly through the wall to your left.

“Jesus!” you yelled in surprise, the knife slipping from your hand and clattering against the plate.

“Well, well,” Agatha drawls, leaning back with an amused smirk as she turns to Wanda. “I must admit, I never pictured her as the type to take the Lord’s name in vain. Your wife looks like such a proper lady here in Westview, dear.”

Wanda remains motionless, her entire focus on you as this memory comes rushing back to her.  You weren’t even friends yet, and Wanda had already noticed how distant you kept yourself from her. It wasn’t hostility, exactly, but it was clear you didn’t like her much back then. And she couldn’t blame you.

“My apologies,” Vision said.

You scolded him for announcing himself that way before he formally introduced himself to you. With a sigh, you told him you already knew who he was. Without missing a beat, Vision asked what food you were preparing.

“It's a peanut butter and jelly sandwich.”

“The coloration is intriguing,” Vision noted. “I haven't encountered many purple foods in my lifetime.”

To Agatha, the exchange seems utterly trivial—and not to mention, boring. Yet, it only makes her more curious about why this particular memory has surfaced.

“Speaking of food,” Vision began, “Miss Maximoff hasn’t eaten. Nothing in over twelve hours.”

You were just about to take your first bite, but the mention of Wanda made you freeze.

“And why is that my problem?”

“Given that her quarters are adjacent to yours, I thought you might be concerned,” Vision said.

“Concerned? About the person who messed with my head? Hard pass.”

“Oh,” Agatha chimes in, continuing her unsolicited commentary. “Was your wife not particularly fond of you in the beginning?”

Wanda shakes her head slowly. “She hated me.”

Agatha’s grin widens. “And that drew you to her? Well, aren’t we a little kinky.”

The memory continues with Vision gently reprimanding you about the poisonous effects of resentment. You brushed it off with a sharp retort, making it abundantly clear just how little you cared.

Vision didn’t press the matter further. “Very well. If you’ll excuse me.”

He turned to leave, this time opting for the doorway instead of phasing through the wall. 

“Wait,” you called out, piquing Agatha’s interest.

Vision stopped, looking back at you expectantly.

You sighed, rolling your eyes. “Look, just... take her something to eat. Here.” You shoved the sandwich plate toward him.

“It might be more meaningful if you delivered it yourself.”

“Yeah, that's not happening.”

He accepted the plate. “I will relay the gesture.”

“Don’t,” you rushed out. “I mean, don’t tell her it’s from me.”

Agatha scoffs like she’s watching a bad rom-com. “Enemies to lovers. My personal favorite,” she says, smirking. “Two people who can’t stand each other but still do nice things behind each other’s backs. Adorable, really.”

“She didn’t know I was there, watching the whole exchange,” Wanda says softly. “I went back to my room that night, eagerly waiting for Vision to bring me that sandwich. I was so hungry.” Her voice grows even quieter as she adds, “Y/N was the first person to do anything for me after my brother died. And she didn’t even like me.”

Agatha snaps her fingers, then gives Wanda a hard look. “Here’s the punchline, honey: you come back from the Snap—five years gone in a blink for you—and guess what? Y/N didn’t make it.”

Wanda looks stunned by the reminder that in the five years she was gone, she couldn’t shield you, couldn’t stop your demise. Clint kept silent on how it happened, and even when Wanda defiantly probed his mind, she found no clues about your death.

“She was gone,” Agatha says, circling around to meet Wanda's gaze. “But you wanted her back.”

Almost reflexively, Wanda nods. “I did,” she murmurs. “I wanted her back.”

The segment shifts seamlessly to a serene lakeside setting. It's a somber day—the day of Tony Stark's funeral. Wanda of this memory stood alone, gaze lost on the serene water, while members of the Avengers paid their subdued respects to Pepper Potts in a slow procession.

It’s Clint who noticed she’d been standing there a long time already. 

“Hey,” he murmured, the nippy weather forcing his hands in his pockets as he joined Wanda’s side. “You holding up okay?”

Wanda smiled faintly. “As well as can be expected.”

He nodded, sharing her view of the gray lake. “It’s tough, losing someone like Tony. Feels like we’ve been bleeding pieces of ourselves.”

Wanda sighed. “But it's not just Tony, isn’t it?” This funeral should’ve also been for everyone they lost. Natasha, Vision…

You.

“Counting our losses would just do us more harm than good, kid,” Clint said.

She gave a small, almost imperceptible shrug. “I just... I miss them.”

Clint's hand found her shoulder. “I get it. I miss them too.” 

Wanda drew a ragged breath, but these days, it felt like no amount of air was enough.  

“All I've ever known is loss,” she whispered. “You'd think I'd be used to it by now, that it wouldn't hurt as much as when I lost my parents, or Pietro. But this…” Her voice faltered. “Losing Y/N cut the deepest.”

Clint squeezed her shoulder. It’s meant to be comforting but Wanda felt nothing. 

“I’m sorry, kid.”

“I shouldn’t have been brought back,” Wanda said, stepping back, causing Clint’s hand to fall away.

“Don't say that. Y/N would've done everything for you to come back,” he said.

She turned to him, tears brimming in her eyes. “And I would've done everything I could for her to still be here—with me.”

Wanda watches herself in the memory, turning her back on Clint without a word. She didn’t say goodbye to anyone. Didn’t pay her respects to Stark’s widow. She slipped into the driver’s seat of the car you used to own after Clint turned it over to her.

The road led her to a quiet cemetery not too far away. She parked along a gravel path and walked among the rows of headstones until she reached yours. Seeing your name etched in stone brought a fresh wave of grief crashing over her.

Dropping to her knees, Wanda was wracked with sobs, her shoulders shaking uncontrollably. She cried until the tears refused to come, her body spent from the depth of her grief. Hours seemed to pass before she finally rose, shaky and streaked with tears. She wiped her face with the back of her hand and headed back to the car. Slumping into the driver's seat, she allowed herself a few more moments of inaction. In search of some small comfort, she flipped open the glove compartment and fished out your favorite CD.

As she rummaged through the assorted items, her fingers brushed against an unfamiliar envelope tucked at the back. Intrigued, she pulled it out and examined it. Her name was written on the front in your unmistakable handwriting.

With hands that trembled like leaves, she tore it open. Inside, there was a simple, elegant ring—the one she bought for you—and a folded brochure. It’s a map of a small New Jersey town. A plot of land was circled in aggressive red, and in a heart-shaped scribbled below, you've written, Where Maximoff will torment me for the rest of our days.

A smile, bittersweet and crooked, crawled its way to her face. The idea of a future you’d dared to dream together flooded her with both joy and heartache. 

Compelled by a sudden urge to see this dream firsthand, Wanda started the car and set off towards New Jersey. The journey passed in a blur, her mind occupied with thoughts of what could have been. Hours later, she arrived at the ghostly town, its structures forgotten in time, lagging behind the rest of the world by at least a decade.

Following the map, she drove to the marked lot—a field overrun with wildflowers and framed by a quaint white picket fence. She walked to the center of the lot, your ring clenched tight in her fist. As the sun dipped low, it draped everything in a golden light. Right then, the full weight of her pain hit her like a freight train.

And when it happened, it started with a tingling sensation at the back of her neck, a subtle prickling that grew into an all-consuming fervor. Beneath her, the earth whispered of transformations, subtle yet insistent, as reality bended, acquiescing to the sheer force of her will. 

Her powers gradually rose, a resurgent tide swelling from the emptiness that had, until this moment, consumed her. She released a primal scream as she unknowingly reshaped her surroundings—houses and streets morphed, relationships and identities changed—all molded from her memories and desires. Even the very colors of reality altered around her.

But she paid no heed to the unprecedented heights of her abilities. Her only focus was the release—the desperate emptying of her being, striving to purge the agonizing pain she’d felt since discovering you were gone.

With each exertion, she felt a piece of herself ebbing away, her essence—bright and golden—intertwining with the magic, seeping into the reality she molded. The pain was exquisite, an acute contrast to the numbness that had pervaded her existence since her return. She welcomed it, the pain confirming her existence, her agency, her power after so much had been taken from her.

As the final tendrils of red weaved the last of her into this new Westview, she felt a climactic release, as if she’d finally exhaled a burden she could no longer bear. She collapsed, the world spinning dizzyingly around her, her breaths coming in short, ragged gasps. The town pulsed—tentatively, like the first steps of a newborn—with life, a life that was both not hers and wholly of her making.

She lay on the ground, which had metamorphosed from the soft, dewy texture of soil to the cool, smooth tiles of a pristine living room. Her eyes fluttered open slowly, bracing for the afterlife, when—

Wanda gasped, her eyes instantly watering at the sight of you, unchanged, just as she remembered before the snap, before the world fell apart. Disbelief coursed through her, yet she couldn’t look away from the miracle of you, standing there within her reach.

“Wanda,” you whispered, your voice barely a breath. Extending a hand, you helped her to her feet, her left hand—adorned with a simple gold band—shaking as it met yours. 

“Welcome home.”

A fragile smile began to trace her lips for the first time since her return. With your hand in hers, she stood at the threshold of her new home, crafted from all of her pieces.

[rei-ismyname]

Uncanny X-Men #8 review - Raid on Graymalkin finale

Raid on Graymalkin has been a strange event in a lot of ways. It happened very early after an editorial and creative team change, it's only four issues spread over 2 books, and perhaps most of all, editorial both spoiled the ending and hyped up an ideological divide between Rogue and Cyclops. The big question is 'was the hype paid off?' Sadly, no - Uncanny #8 doesn't so much land the plane as crash it into a mountain. A plane crash can be a spectacle though, let's break it down. At the very least it looks great. This is a long one, so strap in.

We get to know Scurvy a little better.

X-Men #9 ended with both teams in Scurvy/ Philip's psychic thrall and Charles Xavier taking the stage after Kurt and Kwannon freed him. Uncanny #8 opens with his POV of his recent history, showing a 'Not All Mutants' mutant and how he ended up in an abusive relationship with a right wing podcast host. Well, it shows how they met, how his powers work, and how Warden Ellis has used him.

His powers aging him drastically explains why he's reluctant to go all out and perhaps how his powers helped an Infowars knock off to get this job. YMMV on whether this makes him sympathetic; it's certainly a 180 from the plain pathetic he has been portrayed as thus far. We spend a lot of time with him this issue, but it's all so vague I don't feel like we actually know all that much about him. He is portrayed as a victim, though he's also in the process of frying our heroes' brains and enslaving people. On the other hand, we get so little of his motivations and feelings that there's not much there. Villains/antagonists need to be developed to be interesting, and I'm not sure if Scurvy is a victim of Ellis' crusade or a self hating mutant who gave 'everything to a dream' for ... reasons. He's literally killing himself and it'd be good to know why.

Scurvy has been hyped as a Psychic on par with Xavier, something Xavier himself hasn't exactly confirmed but he has admitted Scurvy is an obstacle. They haven't met but Scurvy's been aware of Xavier, presumably because he's world famous and announced Krakoa to everyone on the planet. Scurvy suggests it's more than that - he and Charles are part of a group of five mutants called Avians, one of whom died - Harvey X. Chuck has had an oversized presence in Simone's Uncanny X-Men and another vague mystery about him takes up space that could be used to develop other characters - The Outliers, Jubilee, Nightcrawler. This 'Avian' business feels like The Twelve and other similar half baked plots, and how can Charles have a tumour if he's in a relatively new body? He died last in Inferno AFAIK, but more than that it feels unnecessary. I'm not invested in believing or disbelieving it, though Chuck dying might make X-Manhunt more interesting.

Chuck isn't showing up again until March, and Scurvy ages 10 years during this issue. Why are we spending all this time on these people that aren't main characters? Does Xavier really need to be part of some special unexplained group? He's been a very special and prominent part of the X-Men since 1963 - new old girlfriends and vague hints of specialness feel like mystery box overkill. Maybe Scurvy is lying as part of their psychic battle. Laws of narrative economy suggest otherwise, but either way - what's the point? Also, Avians? Are they birds? Maybe it's a Shi'Ar thing but right now it sounds ridiculous. Avians 🙄

Juggernaut knocks Rogue out of Scurvy's control and she thinks she has time to do the same to one other person. She apologises to Gambit for not choosing him and picks Cyke as the tactical choice, nearly knocking his head off. He snaps out of it too and shit gets bizarre.

For some reason Scott chooses this moment to berate Rogue for 'bringing kids into a war zone' which is a super valid point but I find it difficult to believe he'd bring it up while they're on the back foot and threats are everywhere. Rogue's answer is even more puzzling. I can believe she'd make an appeal to emotion but it's not a real answer. 'At least we don't have Magneto on our team' is not a rebuttal to nearly getting children killed, but it also does not make sense.

Magneto has been reformed for YEARS at this point and was a driving force behind Krakoa. She's saying like he's some irredeemable villain when he's the most heroic he's ever been. He and Rogue had zero interaction on Krakoa, where he was considered a national hero and famously was very tight with her hero Xavier. If she has an issue with the sins that came to light after Inferno, then she wouldn't be so charitable to Chuck, either. Maybe it's Scurvy's influence, but if so then what's the point? This isn't ideology, it's dodging the question at worst or petty bickering at best. Has Rogue forgotten her extensive history with Magneto, or her own start as a villain? What about her husband's involvement in the Mutant Massacre or her parents' unrepentant villainy? When considered in the context of Simone saying that Rogue and Cyclops would occupy the Xavier/Magneto relationship it looks like a missed shot. You'd have to ignore decades of history to make it work. Sigh, this was an unforced error and it really bums me out.

'I'm never going to be you and you're never going to be Professor X' is flat out weird. Cyclops answer of 'good' is consistent with his argument last issue, but it makes it look like they're not having the same conversation. Finally they realise they're in a war zone and only now does Rogue defer to Cyclops. Oookayyy. They say 'Magik and Wolverine' together in a moment that's both cheesy as hell and should underline their commonalities. I'm almost feel bad ragging on this, but it's not executed well. At least Rogue is consistently characterised as a cowboy. That's something.

Magik and Wolverine start freeing people then stop to agree not to kill each other. Deathdream says weird stuff, as usual, and the two make up. Jitter has her second instance of love heart emoji'ing a woman, which is cute but still deniable as actual WLW representation. I hope Simone cashes this cheque.

Queerness should be something that's not notable in a perfect world, just a part of the character. We don't live in a perfect world though, and we don't know a lot about Jitter. We know her powers, that she's Malay Singaporean, that she has a stutter, and that she possibly likes women. It's not enough for issue #8 of the flagship series. The choice was made to heavily focus on Xavier and Sarah Gaunt, and a casualty of that was getting to know main characters. It wouldn't be such a big deal if the payoff was worth it, but what did we actually learn? Instead of giving readers a break from Charles Xavier, he's been a regular presence. His appearance in this event could have been more impactful but I feel like we never had a chance to miss him.

Kwannon and Kurt reveal that Scurvy made them fight, which Rogue is aware of, and she adds that 'we're broken.' I'm not sure what that's supposed to mean, but this undermines the stakes of the ideological conflict. Is it manufactured or isn't it? None of them consider attacking Scurvy while he's fighting Xavier, either. Nobody is acting like they're in danger. It feels unserious, like the characters are just waiting for things to happen to them.

At this point I don't really care who Inmate X is. Uncanny X-Men has been dropping these mystery boxes that readers can only guess at, and like with Harvey X being the one pulling strings, it comes out of nowhere. It's another Avian, which means nothing to us beyond a vague implication of specialness. We know that Ellis considers it a bad thing if he get out of his cell, but that doesn't narrow it down aside from it being a he.

Aw, cripes - popular gen Z saying

Interestingly, Xavier's astral form is that of his Cerebro-helmeted onesie twink. It could reveal that he hasn't changed at all in how he sees himself and his role as shepherd of mutantkind. It's very different from his classic astral battle appearance, and I love it thematically and visually. Scurvy and Chuck as astral giants towering over the schoolprison is striking, though the casualness of their dialogue mutes it somewhat.

Not sure how Ezra or Ellis can tell Scurvy is losing a battle on the astral plane, but she does what she should have done before this and gets a gun. Calico is overjoyed that the Outliers (except Jitter) came for her, but what could be a heartwarming moment is undercut by their dulled expressions. I can buy Deathdream doing this, but Ransom has been emotionally aware prior to this. We have zero details, but aren't these kids tight after months of being on the run together?

It's finally time to stop standing around, as Ellis and guards are here with guns. The X-Men, having already beat up plenty of these dudes, aren't impressed. They stand together (no idea where Chuck and Scurvy got to) and Cyke urges her to stand down, pointing out that they're not as nice as the Avengers. Rogue agrees in the shittiest way possible, thinking 'sometimes visor boy says jus the right thing.' Weird ableist stance from Rogue, but all it does is highlight how shallow their conflict is and remind us that Gail Simone doesn't like Cyclops.

Ellis doesn't blink, telling them her 'brother died because of trash like you.' We knew this already, and I'm wondering if there's anything else to her. She's established as a threat but she's not especially interesting. She helped with Sarah Gaunt out of empathy (?) but here she is flinging the same old slurs. I'm not sure if her dark skin is meant to be noteworthy or say anything. So far it hasn't been a part of her character in any way other than visual, no commentary on how someone who has experienced minority oppression becomes so hell-bent on dealing it out herself. How does a person become willing to enslave and torture, and even (as we'll see) destroy two towns with thousands of humans in them? Her brother died, sure, but that's thin characterisation for a multi-arc villain.

Chuck wallops Scurvy with an uppercut!

Ellis brings out The Trustees again (who the X-Men easily defeated) to have Blob recite 'the pledge.' Very messed up but it shouldn't exactly convince the X-Men to do anything other than smash this place to pieces. She threatens to let Sarah Gaunt loose from her comically large chains that shouldn't stop her for a second.

Cyclops points out that with Scurvy's defeat Ellis' big gun is down. She laughs at that, and for some reason Chuck doesn't immediately take over her brain. Her big gun is more literal - a fucking network of sonic cannon satellites. Who TF gave this lady a Death Star? She has Merle and Haven targeted but Rogue thinks she's bluffing. Logically, you'd think so. Would the US government really accept this maniac destroying towns with a space laser? Not sure how they'd spin that. Also, neither team have any leverage to stop her using it whenever she wants. I feel like she's forcing them to kill her right here and now, lest their strategic position becomes 'able to be killed at any time without effort.' They could even just send her on permanent vacation to Limbo, see how her bullshit flies with Maddie Pryor.

Ellis lets them take the people they came for (why?) but that's not enough for Rogue. Siryn speaks to Rogue personally while crying, indicating she's herself, as much as she can be with all the torture, mind control, and who knows what else? It's only when Xavier intercedes that Rogue listens.

Charles explains why he needs to be in prison (though we know he'll change his mind and escape in March) and they have an emotional exchange. It works, I guess, but Rogue looks super selfish and ignorant. Free Charles for personal reasons when he doesn't want it at the cost of two towns? Doesn't seem like much of a choice (other than knocking Ellis out while she's in your face.) It feels a bit regressive for Rogue, too. She is aware of everything from Fall of X (including Chuck manipulating one of her mothers and trying to permanently kill the other) and hadn't really had or needed a mentor in a long time. Sure, everyone is lost after Krakoa, but WTF is she so attached to Xavier? It's great that he was the first to believe in her but this feels almost infantilising. Rogue is better than this.

Scott has Magik open a big portal before 'she' can stop you. I assume 'she' refers to Rogue, except Rogue is shown willingly walking through it with everyone else. Ellis wasn't interested in stopping them. It's like everyone has the script and realises the event is over so it's time to go. I have difficulty believing any of these characters would just meekly leave, not because of Xavier, but the multiple sonic space cannons that can kill them anytime plus their enslaved comrades. There's eight regular ass humans with guns in the way and this is their shot to do anything about it. How many of these X-Men could take them all out by themselves? Cyke could optic blast them unconscious, Magik has multiple methods, and many of the others could just punch them while ignoring bullets.

Yo, where's Quentin? He arrived with you guys.

Once Rogue has walked through the portal (clearly willingly and without duress) she objects again - 'no. We can't leave him there!' Cyke echoes Charles' own words and promises to get the others out, but Rogue punches him maybe ten feet and not only repudiates Scott's promises (?) but places the blame entirely on him. He blasts her and tells her to grow up (kinda fair) but then their teammates hold them back. Beast tells Scott he won, but this looks like a narrative trick to pretend Cyclops wanted to fight or has any reason to.

Rogue turns to leave with mild venom and her team follows. Hank assures Scott that he had no choice and Scott disagrees but doesn't elaborate. I hate to see X-Men fight but it's even worse when it's over nothing. The post-portal events feel like Simone going 'hmm, didn't really sell that ideological divide or their falling out, fuck it, just have Rogue punch Cyclops.' I think Cyclops was mostly right here, but it's more than Rogue was wrong and the conflict was contrived. I just don't buy the degree of animosity Rogue has and all the reasons given feel out of character. If that's who Rogue is right now I can accept it, but it's not very heroic and she's had multiple egregious failures of leadership. If this is identified as a character flaw that needs working on or a mistake that she regrets it could make for interesting storytelling, but all the information we have suggests that's not the case. Uncanny is frankly a trainwreck, but at least it looks fantastic. The letters page and other media suggests a lot of people are enjoying this book, and I couldn't be happier for them. I just wish I was too. I'll keep reviewing it of course, and I'll be less harsh than this review was. It was hyped and it called shots and didn't deliver. Doing that sets expectations and gives me another metric to judge it by. Hopefully we can get on with learning about the characters who've been neglected.

As for Raid on Graymalkin as an event, it had its ups and downs. Most of the ups were in X-Men and most of the downs were in Uncanny. Ultimately it didn't fulfill the promise it made so I judge it as a failure. We didn't learn a great deal and it boiled down to a cynical excuse for X-Men to punch each other. The mysteries it introduced feel dull to me and I am not especially interested in the Avians or Inmate X. The solicits for X-Manhunt spoiled that Xavier wasn't going anywhere, which left us with forced conflict. I'm far more interested in the aftermath of the event, especially the Alaska team dealing with a visit from the O*N*E. They don't really need much reason to fuck with the X-Men so I'm not crediting the event with that.

Thanks for reading!

[genderqueerdykes]

100% on the cis women can be dangerous too. It kinda bothers me when I see "no men" queer events in my area, my partner understands that its for women who generally don't feel safe around men and want a space just for women, but I've said that theres no way to enforce and separate just men without excluding people who would benefit from that space also.

and I'm AFAB and genderfluid, I tend to look more masculine because of hormones and not being white. I use womens spaces, so from just my own experience I've been harassed, assaulted, yelled at, policed, and discriminated against more from women than from men. I understand that's probably just because of me using those spaces, and I do kind of agree with my partner that women should have spaces for women, I just don't feel inherently safe being in spaces that are women only.

god that's so terrible, i'm so sorry, i actually have feelings on this that i haven't touched on before, so thank you for sending this ask

and I'm AFAB and genderfluid, I tend to look more masculine because of hormones and not being white. I use womens spaces, so from just my own experience I've been harassed, assaulted, yelled at, policed, and discriminated against more from women than from men. I understand that's probably just because of me using those spaces, and I do kind of agree with my partner that women should have spaces for women, I just don't feel inherently safe being in spaces that are women only.

the thing about this is that queer spaces are not women's only spaces. you're being alienated from spaces that you should belong to. queer spaces do not men "women only". if someone wants to make groups for queer women that are only for queer women, fine, but if they're general queer spaces, especially like trans and lesbian spaces, other people MUST be allowed to participate. not every single queer identity is centered around women.

i agree with you that women should have spaces for women. and you know what? we do! they're called women's support and resource groups. they exist in many, MANY places. even towns in the middle of nowhere end up having women's support groups. women's hospitals, women's shelters, women's hobby groups... they're out there. i have NO clue why people are trying to turn the queer community into one big """women's safe space""" but it's not right. it's because of rad fems and people are listening to them.

the queer community isn't a "women's safe space". if you think that queer spaces need to be "women's safe spaces," you're actually thinking of women's spaces. you're thinking of women's support groups. if you doubt me, please google this:

these are genuinely real places and events that happen. we don't have to try to turn the entire queer community into one big "women's safe space". trans men need safe places to go. queer men need safe places to go. genderqueer and non binary people need places to go. gays need safe places to go. intersex people need safe places to go. questioning trans women and trans women who are also men need safe places to go.

take care of yourself, anon. this behavior is just ridiculous. it's out of control

[witchofthesouls]

You know, you're one of my favorite transformers folks who bother to mention sparklings in their fic. I feel like you and I are on a similar wavelength here, where we both realize 'hey. these people who have been at war for 100 million years haven't seen a kid in that time. They shall now be smacked upside the helm with that same amount of emotion.' I remember one wild west story where a gold miner was walking down a road and came to a full stop completely rooted to the ground because a family with a baby made their way into town. He struck conversation with the mother and kept looking at the kid with misty eyes. Then he offered all the gold he'd panned thst day to kiss the kid on their forehead! She was confused but agreed, and he did- stole a wiff of that baby smell too, and made good on his offer too. I know cybertronians aren't humans, but with how socially similar we are you simply can't tell me that post-war things like this didn't happen. First person either side to have kids has babysitters, admirers, or both!

First of all, thank you for those awesome words! And that wild west story was wild!

Second, yeah, they definitely be feeling if a sparkling was dropped in the middle of it.

As much as I love the 'Holy crap that's a fresh bitty!' I'm downright tickled over the thought how specific groups/individuals would go 'SPARKLING! THERE'S A SPARKLING! NEED TO DEFEND SPARKLING!'

Oh, the insults and roasts that would happen as the factions fight to keep the random bitty and mecha try to angle for guardianship because that's their best chance (at that point) to be a parent.

Post-war society, the first successful carriage to happen, would have everyone's optics upon them as they instantly become Cybertron's most awaited event. That newspark would be a superstar in the gestation chamber.

[lbulldesigns]

Group Chat between Vi, Mylo, Claggor, and Ekko.

VistandsforVictory has created Chat titled "Pow Patrol"

LadyKiller: Pow Patrol? Seriously, Vi?

VistandsforVictory: Yep. We need to talk about this. Powder is trapped in Demacia, and we're all planning a party instead of rescuing her.

BotanyNerd: It's a charity event, not a party. And there's not much we can do in regards to Powder Vi, Demacia is in full lockdown it's near impossible for foreign dignitaries to enter the country, let alone a bunch of nobodies.

LadyKiller: Speak for yourself. I'm going places.

TheBoiSaviour: So you finally decided what your major is going to be?

LadyKiller: 🖕

BotanyNerd: You know the rules, Ekko.

TheBoiSaviour: Sorry.

VistandsforVictory: CAN WE STAY ON TRACK PLEASE?!

BotanyNerd: Okay Vi, say we hop on the first boat or airship to Demacia to ride to Pow Pows rescue. What's the plan gonna be?

VistandsforVictory: We find our sister and bring her home.

LadyKiller: Sounds straight forward enough.

BotanyNerd: Where do we begin looking? Where would we, foreigners who have never visited the country before, start looking that the Demacian local law enforcement haven't?

TheBoiSaviour: There's also the whole "kidnapped royalty" to factor in, we don't know if in our search to find Pow we'd unwittingly draw the people she's staying out of sight of to her. And given Demacia's arrest first policy, I don't think she'd be given a fair trial before being sentenced.

LadyKiller: Also, Silco is handling finding her. He will keep us updated.

VistandsforVictory: Oh, right. Because he's done a fine job finding her and bringing her home so far.

TheBoiSaviour: He can't exactly hog tie her and bring her back Vi. That would be considered kidnapping. Also, Powder would be pissed.

VistandsforVictory: But safe.

BotanyNerd: Vi your not going to Demacia. One, Demacia is on lockdown, and their arresting anyone and everyone they consider suspicious or dangerous. Two, if your search to rescue Pow results in both of you being arrested, there would be little we could do to get you back and then we would all be pulling our hair out worrying about the two of you. And three, Dad really needs us here right now helping him with the pub, the event, and Isha.

VistandsforVictory: Don't tell me what you do! And the kid has nothing to do with any of this.

BotanyNerd: At some point Vi, you're going to have to actually acknowledge Isha's existence. She's our little sister.

VistandsforVictory: Powder's our little sister too!

LadyKiller: Vi have you been drinking?

VistandsforVictory: NO!!!

LadyKiller: Had to ask, because your making FUCK ALL SENSE!!

TheBoiSaviour: Okay, okay. Stop! This is getting out of hand. Mylo, you mean well but you really need to learn tact man. Vi, you need to understand that Isha isn't replacing Pow and Pow wouldn't view her as a replacement. I really think you need to speak to your therapist about this. Also I really, really don't think Pow would appreciate you running to her rescue.

BotanyNerd: That's it I'm bringing in Silco and Dad.

VistandsforVictory: Wait!!!

BotanyNerd invited TheEyeofZaun and WolfDaddy

WolfDaddy: Hello

LadyKiller: Why is your username WolfDaddy?

WolfDaddy: Powder made my profile for me, she said that it was factually correct whilst being anonymous. Now what's going on? Is this about Powder?

@lullabyes22-blog

[ensemblesongs]

I gotta say I’m really disappointed that you have decided to partake in this ridiculous boycott that is built on lack of research and racism. I can’t find it in myself to support someone who openly supports hate towards the Ryukyuan people and Japanese people. I wish you the best in real life but I strongly urge you to do proper research before blindly following the wolves in sheep’s clothing who pretend to care about racial discrimination.

I understand why you might feel this way. I'm sure that there are misguided people amongst the bunch, or people who are only participating in a performative way. But what Happy Elements has done felt malicious and hurt me and many others with their lack of consideration for long-term fans, and most importantly, their lack of sensitivity. Do you not see the issues in how this narrative is being handled...? I'm uncertain on what you mean by hate towards Japanese people. Addressing the country's past, and the company's failures, is not hating on an entire ethnic group. Maybe you've seen things on social media that I haven't. If you'd like, you can give me more of your perspective to enlighten me. The plea for me to research is also a little vague...💦

Real-life Ryukyuan (and Ainu, who are not the same, but have shared a similar pain), and other indigenous people have expressed support of this boycott, what about their perspective? Does it not matter? They don't speak for every single one, but I think it's worth taking into consideration, nonetheless. I'm not blindly following anyone, even if there are people that I trust more than I trust myself when it comes to knowledge on certain topics because they know more than I do, I have tried to do my own research, too — and I know that Ibuki's story is reflective of that of the experience of many real Ryukyuan people, a choice that they make themselves. I have a more hopeful view about this situation than most. Still, I do not trust Happy Elements with this decision due to their history of actual racism and failure to address these subjects with the necessary care, though I see their attempts to in stories like Matrix. (Which is a story I don't hate nearly as much as the average person does and don't see as OOC, either, and only really found problems with the Takashi subplot being unnecessary and the village's plot-twist. The wave of hate over a story most didn't even read themselves was quite peculiar. This is different.)

There is a clear bias in the writing room as seen in many other stories, even when it isn't hatred there is a feeling that there's more fascination towards the subject of racial minorities than care, and this was the final straw for many fans. I don't think it's wrong for Rinne to be written to have internalized racism, even if it's being written by Japanese authors. Similarly, I am not upset at the concept of Ibuki being involved with AKATSUKI. I was actually excited at the prospect of them interacting more, I'm more so upset at the execution and the imperialist undertones which are all too expected from a careless company like they have been for years. Not just that, but even if it wasn't racist, the desecration of AKATSUKI, a group that has been there since the beginning, with an utterly mischaracterized story that dumbs them down to their past selves and breaks promises the real Keito had made, and how HE continues to puppet their mangled corpses around for all to see, and the hatred Ibuki and possibly Chiaki Kobayashi will have to face because of this decision, one they knew no one would like, would remain. Not to mention, their audacity in trying to make the audience feel bad for disagreeing with this, making the characters say things along the lines of, "I'm sure fans will be upset".

I'm someone who loves Ansta. Deeply. I never aligned with people who hate it while being into it and always tried to have hope. So, I take my criticism of it seriously. When it comes to my activity on here, I'm doing the same I have for years, and I just thought people who are participating, and mean well, would benefit from what I post. I appreciate your kind wishes and I wish you well, too. Thank you for having supported Ensemble Songs.

[tiredandoptimistic]

Yeah, as much as I talk about wanting TST, it probably wouldn't have worked (which is most likely why CC scrapped it). More than anything else, I think the issue is that the Circle generation is a tragedy stretched over several decades, rather than an adventure/romance about teenagers.

There's about eight years between the Circle forming at the Academy and their downfall at the Uprising. I doubt that CC would set a series over that long a time period, and if she focused on any 1-2 year period, she would leave out a lot of what people love about the Circle. So many of the things we want to know more about are set years apart from each other, or don't come to fruition until the characters are adults. Luke and Jocelyn couldn't have much of a romance, because that happens in TMI, and we know for sure that Jocelyn was fully unaware of Luke's feelings until then. We've already been shown a lot of their big turning point moments ("The Last Stand of the New York Institute," "The Evil We Love"), so if anything was set during those periods, then the books would have to either repeat stuff we already know, or skip over these big important plot beats.

For example, an Academy era story could be set before The Evil We Love, but that would be before Valentine got particularly extreme, when it was still just a friend group. Plus, characters like Celine and Hodge would be too young to really participate. It could be set after that story, but then Michael and Robert would have graduated, and the story would be weirdly split. And anyways, why would we need full novels set during the Academy era? We already have a short story that gives a perfect snapshot of what things were like.

I definitely want more from the Circle generation. I want to know about Michael, Stephen, Amaris, Celine; all the characters whose stories we haven't really heard yet (also Robert and Maryse are two of my favorites and I need more of them even though they're in plenty of books already). A full book series just wouldn't be the way to do it. Their story isn't structured like that, and I'm worried that it would either feel weird as a single long narrative (so many plot threads unresolved because they don't come to pass until TMI, lots of characters spread across different lives who don't really like each other), or get squished into the more traditional hero's journey -> tragic downfall structure (no longer fits in with the established canon).

Short stories really are the perfect solution, because they can hone in on those turning point moments, while giving a snapshot of an entire era and hints to what came before and after. I'd love to see one about Michael's life with Eliza and how he felt about Robert and the Circle from afar, or about Stephen choosing to leave Amatis on Valentine's orders, or how Hodge came to reconnect with Valentine in the 2000s because he felt abandoned by the Clave. These things probably couldn't fit into a cohesive series of novels, but they could definitely work as brief stand-alones. Each character could get their own mini-arc that shows something important about them, even if it doesn't fit into some kind of smoothly overarching plot. We wouldn't need to worry about every plot threat reaching a climax at around the same time, or every character getting their narratively satisfying resolution. It could just be what it was, scattered and unresolved.

i love the bits of lore we have about the circle and i think it's a really underrated and under-discussed aspect of tsc, but i dont think the secret treasons/any other story which focuses solely on the circle could ever be something that fits into tsc as a whole, and i know that any real version of it would only ever disappoint me. so i while my curiosity for what tst wouldve been like will never go away i unfortunately do ultimately prefer the circle as this background story which only ever leaves you wondering about what truly happened

[onesnoopyaday]

I AM AT MY LIMIT

Snoopy #90

30/12/2024

description under the cut

[description: a cartoon-style drawing of Snoopy's head. Snoopy is a white dog with black ears. His eyes are shut and his mouth is a horizontal line. There are two large blue teardrops, one under each eye. The text "I am at my limit" is handwritten across the top of the image.]

[medicinemane]

I don't know... horrible things happen all around the world and it's not a competition

Atrocities are committed against multiple groups in multiple parts of the world at the exact same moment, and none of them erase each other. They all matter, all the people in this world who are being brutalized matter. There shouldn't be any line you draw where one group doesn't actually matter as much as another

You're welcome to prioritize your energy towards helping one group or another, but what's not ok is invalidating or dismissing people who are actively being harmed

Same goes for trying to figure out which social group has things worst (and lets be honest, always using a US lens)

Like... maybe the important thing is to prop each other up and help everyone get on their own feet rather than trying to... pick fights about if physical disabilities or mental illness are less respected (I'm trying to pick a more absurd example but sadly I've seen exactly that argument happen before). Maybe it doesn't really matter and what matters is helping who we can when we can

I'm tired of it, I'm just fucking tired of it. Support people, champion them when the world is just brutalizing them, but you don't need to throw a single other person under the bus to do that

Which seems to be an absolutely impossible lesson for people to learn

[theprinceandthewitch]

[things-methinks]

Talking to [leftist/socialist/progressive/whatever] white people as a brown girl is always an experience

[selfinflictedgunshotwound]

not my online friend trying to have the "not all zionists" conversation with me rn